March 18, 1986
Why this succession of forms and corresponding geological operations? I’d like to spend most of our session today trying to get a handle on the movements of the over-fold—i.e. the movement which forms the over-man, as distinct—and of the un-fold and the fold. But as I was saying, let’s return to our general principle. Our general principle is that every form, whatever it may be, is a composite of forces. If we don’t understand that, we won’t understand anything. Every form is a composite of forces, or if you prefer, a composite of force relations. Forces are extrinsic, i.e. a force has no interiority, it is related to the outside by other forces, so force relations are extrinsic.
Seminar Introduction
After Michel Foucault’s death from AIDS on June 25, 1984, Deleuze decided to devote an entire year of his seminar to a study of Foucault’s writings. Deleuze analyses in detail what he took to be the three “axes” of Foucault’s thought: knowledge, power, and subjectivation. Parts of the seminar contributed to the publication of Deleuze’s book Foucault (Paris: Minuit, 1986), which subsequently appeared in an English translation by Seán Hand (Minneapolis: University of Minnesota Press, 1988).
For archival purposes, the English translations are based on the original transcripts from Paris 8, all of which have been revised with reference to the BNF recordings available thanks to Hidenobu Suzuki, and with the generous assistance of Marc Haas.
English Translation
Having detailed Foucault’s three successive historical formations from The Order of Things, Deleuze indicates their correspondence to “geological movements of thought” to which he assigns different terms, unfolding (dépli) for the “God-form” (seventeenth to eighteenth centuries), re-folding (repli) for the “man-form” (eighteenth to nineteenth centuries), and the super- or overfold (surpli) for the Overman (Surhomme, end of the nineteenth, twentieth and twenty-first centuries). After again addressing Foucault’s take on the theme of the “death of man”, i.e., the disappearance of the “man-form”, Deleuze focuses mainly on the third form, the overfold, but traces each of its traits back through each successive formation. In the first formation, he emphasizes the relation with the forces of elevation to the infinite, the orders of infinities; then, in the second formation, man’s engagement with the forces of the outside, the three forces of finitude in labor, life and language; then, why the “man-form” envelops death (of the form). Dwelling at length over the precariousness of the “man-form” and the coextensivity of life and death, Deleuze considers whether, despite the forms of violence that man inflicts all around him, there might be a new form liberating man from such violence, hence a return to the age of the overfold. However, after parenthetically discussing how Foucault limited himself to European formations, he cites The Order of Things at length to discuss the “man-form” and the power of reuniting (rassemblement) language in the being of language, the anonymous murmur, and the perpetual return of language to itself, examples of which abound: Mallarmé’s concept of “the Book”; Artaud’s “writing for aphasics”; Burroughs’s “cut-ups” and “fold-ins”; Roussel’s proliferating expression; Brisset’s decompositions; Péguy’s repetitions; Céline’s creation of kinds of syntax; e. e. cummings’s ungrammatical formations. Deleuze asks, in conclusion, whether modern literature can be an operation reuniting language in order then to stretch it to its limit, syntactical invention approaching the agrammatical, something that Foucault discusses for language but not for labor and life, a disparity to be queried next time.

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Gilles Deleuze
Seminar on Foucault, 1985-1986
Part III: Power
Lecture 16, 18 March 1986
Transcribed by Annabelle Dufourcq; time stamp and additional revisions, Charles J. Stivale
Translated by Billy Dean Goehring; additional revisions and time stamp, Charles J. Stivale
Part 1
… Yes. This succession of three forms: god-form, human-form, overman-form—we ought to recognize that it isn’t an exhaustive list. I mean, it occupies a very restricted and localized time frame; since we discussed the 17th-18th centuries as classical thought, the thought of the 18th-19th centuries in conjunction with the form “human,” and then the form “over-man” at the end of the 19th into the 20th, let’s go ahead and add uh… the 21st century. And all that covers a very narrow and localized, European timeline. But what does this timeline demonstrate, as confined as it is? It shows us what these forms depend on, what we could call an archaeology, or perhaps better still, a geology of thought.
These forms, in effect, depend on certain operations of thought, and what remains for us to do is to try and define these geological movements of thought. This is what I’d like to focus on today, because last time we did a relatively good job of identifying these geological movements of thought, which produce the forms I just enumerated. I said in a certain way that the form “God” is the product of an archaeological or geological movement of thought we can call the unfold. The unfold.
And the form “man,” if you followed me last time, is the product of an archeological or geological movement of thought we can call the fold. And you won’t be surprised, reading Foucault, to see the extent to which the un-fold and the fold constitute two patterns, even at the level of style. I’d say that The Order of Things is a sort of often lyrical song, founded on these two operations, the movement of unfolding and the movement of folding, of refolding. And what I tried to show the last two sessions is simply how the form “God” depends on a generalized un-fold, how the form “man” depends on a generalized re-fold. It’s as though thought found something essential about these exercises, in unfolding, or in folding something. We’re missing the third archaeological movement, a third geological movement on which the form “over-man” would depend.
If the term is missing in Foucault, it hardly matters: we can always invent one for our purposes, and what naturally should correspond to the over-man, and which is neither the fold nor the un-fold, is the over-fold [le surpli]. Then we would have our conceptual trinity of geological movements: to unfold, to fold, to fold over; the unfolding, the fold, the over-fold. But this wouldn’t constitute a totality but comprise the geological movements which correspond to three periods within an, again, short and localized time frame. So much so that the issue I would like to emphasize today, finally, is precisely the death of man and the over-man, granted that these aren’t anything to fear; this business about the death of man and the over-man is much simpler than people make it out to be.[1]
Moreover, what does Foucault mean, then, in the text, “What is an author?” when he says: “let’s hold back our tears”?[2] The death of man is nothing to cry about. There isn’t anything to cry about; save your tears. I mean, this is central to Foucault’s thought, since recently, after his death, there are so many idiots saying, oh, he said he believed in the death of man, so he didn’t believe in anything, etc. … We must not exaggerate, because the first thing to consider with the death of man, understood as the disappearance of the form “man” to the benefit of another form—well, we ought to ask ourselves whether the form “man” was all that good. In the end, the form “God,” the form “man,” are substantial forms, but even in terms of good and evil, is the form “God” really all that good, for thought and for the way of thinking about what exists? Was the form “man” really all that good? All we can hope for in the form “over-man,” if there is a new form emerging, is that it at least not be worse than its two predecessors, the form “God” and the form “man.” And there is every chance that it will be no worse than the preceding ones; it will have its drawbacks and so on, but we have to keep a cool head as we approach it.
So, I come back to our general principle. Why this succession of forms and corresponding geological operations? I’d like to spend most of our session today trying to get a handle on the movements of the over-fold—i.e., the movement which forms the over-man, as distinct—and of the un-fold and the fold. But as I was saying, let’s return to our general principle. Our general principle is that every form, whatever it may be, is a composite of forces. If we don’t understand that, we won’t understand anything. Every form is a composite of forces, or if you prefer, a composite of force relations. Forces are extrinsic, i.e., a force has no interiority, it is related to the outside by other forces, so force relations are extrinsic.
As a result, I can say: we should consider, in the case of the succession, God – man – over-man, we should consider the composite of forces within man, on one hand, of forces within man, on the one hand and, on the other hand, outside forces.
If I say, this is the general proposition, two problems arise. For each period considered — the first problem — with what outside forces do the forces within man enter into relation? Second question: what form results when outside forces relate to the forces within man at a certain moment? It won’t necessarily be the form “man.” I’m trying to better respond to the objection one of you made; last time, his question—one of you said that “‘forces within man’ already assumes man. It presupposes a form, ‘